Swiftly followed by Bowie releasing Queen Bitch in 1971 and Lou Reed releasing Take A Walk on The Wild Side in 1972.
Bowie and Reed were both heavily involved in the New York drag scene at the time.
Swiftly followed by Bowie releasing Queen Bitch in 1971 and Lou Reed releasing Take A Walk on The Wild Side in 1972.
Bowie and Reed were both heavily involved in the New York drag scene at the time.
Figures marines would be into the child prostitute who is legally an adult
(note for anyone who hasn’t played VA11-Hall-A: Dorothy is genuinely an amazing character. The entire point of her is to explore sex work from the perspective of the sex worker. You’re supposed to think her Johns are creeps, that’s the point. Seriously, it’s a great game, please go play it. I’m just fulfilling my legal obligation to dunk on the window lickers.)
I hate this with every fibre of my being.
Yes, I subscribed, obviously.
Good shout. I’d also argue there’s basically no way to read Bowie’s Rebel Rebel that isn’t about gender fuckery of some kind. I’d argue very strongly that it’s an AMAB character presenting femme.